Video iPod
Apple's new iPod nano adds a video camera, mic and speaker so you can shoot video anywhere and view it on your iPod nano—Then, use your computer to edit your video and post to YouTube.
The new nano features an ultra-thin and sleek design with a larger 2.2-inch color display and polished aluminum and glass enclosure. iPod nano also features a built-in FM radio with live pause and iTunes® Tagging, as well as a built-in pedometer.
iPod nano features a larger 2.2-inch display for easier navigating, enjoying album art, or shooting and viewing video clips. iPod nano is ultra-portable so users can shoot video wherever they are, in either portrait or landscape. iPod nano customers can share videos instantly with friends using its display and speaker, or sync with a Mac® or PC and share them on YouTube, MobileMe™, Facebook or via email.* iPod nano can even shoot videos with fun real-time effects such as Thermal, Film Grain, Kaleido and X-Ray.
iPod nano now has a built-in FM radio with live pause and iTunes Tagging. Live pause lets iPod nano users pause and resume playing their favorite FM radio shows. iTunes Tagging is great when users hear a song they like, they can simply tag it, and then preview and purchase that song when they sync to iTunes. iPod nano also features Genius Mixes, which automatically creates up to 12 endless mixes of songs from your iTunes library that go great together.
iPod nano provides up to 24 hours of music playback or five hours of video playback on a single charge. The 8GB model holds up to 2,000 songs, 7,000 photos, eight hours of video and seven hours of captured video; and the 16GB model holds up to 4,000 songs, 14,000 photos, 16 hours of video and 14 hours of captured video.
The new iPod nano is available in an 8GB model for $149 and a 16GB model for $179, and comes in nine brilliant colors including silver, black, purple, blue, green, orange, yellow, (PRODUCT) RED and pink.

A couple of years ago I was doing a gig attached to a pro audio trade show sponsored by a speaker manufacturer. it was a weird gig at a club across from the convention center with two bands—my 10-piece soul review and a very good Ozzy Osborne tribute. Oh, and it was a really loud gig. (Remember, it was put on by a speaker company to showoff their system which generally means cranking it up pretty hard.) At sound check we were having feedback issues and the assumption was that it was a monitor issue (my band is usually in-ear but this gig was all wedges) But the sound company owner—who was trying to stay out of it and let his staff take care of things—knew I was using a condenser mic known for being very hot and pretty wide in it’s coverage pattern. The main P.A. was a line array also known for a wide pattern and after about 20 mins of trying to find the feedback in the system, he walked onstage, unplugged my mic and replaced it with a very narrow dynamic mic and the squealing magically disappeared.